Hurricane Irma passed Atlanta on Monday. My roommate Anneliese made a big pot of vegan chili. My hands felt swollen after moving loose objects into our shed before the storm hit. Everyone fell asleep as it moved through Atlanta. Journal entry:

"Hibernating through a hurricane. My body feels different. I feel the weather. I feel my surroundings. I feel me. I. me. The world - madness - such a harsh word. Especially underlined. We toil, for what. What is the proof? The Heart.  A desire for understanding. If others understand - you're not alone. Friendship. Co-dependence. We should depend on one another to survive. Do you depend on any of your friends? Do you depend on anyone. If not- is it a sign of strength? But we do depend. On our system - government, police, global markets, bankers - we depend on everyone but our friends. Because we are all so independent that we can't bother each other. The independence is killing us."

Anneliese feeding the home.

Anneliese feeding the home.

EDIT: After hibernation I showed The New World by Terrance Malick to my roommates for the first time. It was a powerful bonding moment. 


Living Walls. After the storm cleared, I was out on Buford Highway filming most of the week. Filming the talented artists as they put up their work, filming the Living Walls crew and volunteers working tirelessly to support the artists, filming the community as it joined in the passion of the work. 

Here are some pictures:



The Bakery. Inspired by the muralists and presented with a wall, I started putting up my first mural. Throughout the week I sketched out the idea and figured out the colors. I usually spend more time with the colors, but did not have that opportunity this time. 

Mural as of Sept 18th 2017



Organizing a video installation for The Bakery opening featuring local Atlanta artists.

Currently the line up features: "Gomi Maku" by Brandon English, feat music by 10th Letter. "Silver Planet" by Chris Hunt feat music by Kasie Marie. "New Life" by Lev Omelchenko feat music by Chris Gravely AKA Red Waters. "Rhythm of Ghana" by Brandon Polack feat tradition live drum music from Ghana. "Levitate Levitate Levitate" by Ebony Blanding and Amber Bournett of House of June, feat musical score by Belle Bynone. 

On the look out for more artists to include. 

Here's a look at New Life, which I directed Winter 2017.



Finished Journal Number XIII

Last page:

" I just came out of the shower - meditating on the mural. Colors, shapes, nature, memory. I was meditating on the ancient sacred symbols. Sun, Earth, Water. Fire, mountain, Reflection. Air - the royal creative force. The Breath - The Soul. These thoughts feel ancient. A cry for truth - for a path - for a memory. For life. Alive."



I AM 99% DONE WITH BLUE JAYS MUSIC VIDEO FOR SEQUOYAH. Excited to share it with the Patreon subscribers as soon as it's at 100% in the next few days. The official release date of Sequoyah's new album - Dream Sequence - and the music video is still undecided. However, a work in progress version of the video was accepted to Y'allywood Film Festival, which showcases films from the South. It will be playing at 7 Stages in Little 5 Points at some point October 9th - 15th. Very excited to be featured in an excellent local festival.

Opening Credits with Y'allywood Festival laurels for "Blue Jays" Music Video for Sequoyah Murray's new album "Dream Sequence"


Spent some time this week discussing the logistics of a Virtual Reality Dance project in collaboration with Anicka Austin. I've worked with her previously on visual's for Chris Gravely's "LIFE" and she was Sequoyah's  Movement Coach for "Blue Jays". This project would be an experiment in preparation for her year long project "Sunday Mornings at Seven" which will feature an experimental VR component. 

If this project is a reality, it would be with the help of Kyle Morais and Brandon Polack of Argha Noah, a new art organization in Atlanta. They're working with - the winner's of Goat Farms field experiment and are bringing a ton of cool art into the digital space for the month of September and first week of October. 


I've been reading "To Our Friends" by the Invisible Committee. It's very good. It does a really good job of communicating and supporting its perspective on Government, Power, Surveillance, Environment, Cybernetics, Community and Revolution.

"As to the truth about the present nature of power, every European has it printed exemplar of it in their pocket. It can be stated this way: power now resides in the infrastructures of this world. Contemporary power is of an architectural and impersonal, and not a representative or personal nature. ... Power is the very organization of this world, this engineered, configured, purposed world. ... Whoever determines the organization of space, whoever governs the social environments and atmospheres, whoever administers tings, whoever manages the access - governs men."

It's the second of 3 books published by an anonymous French collective. I first came across their writing in a friend's kitchen in the form of a newspaper, then through an audio book. I decided to get my sister the first book "The Coming Insurrection" for her birthday (along with two of the best books I've read this year - Of Woman Born by Adrienne Rich and The Fire Next Time by James Baldwin).

"Life and humanity were dissected into a set of needs; then a synthesis of these elements was organized. It doesn't really matter whether this synthesis was given the name of 'socialist planning' or 'market planning'. ... The outcome is the same: a desert and existential anemia.

Nothing is left of a form of life once it has partitioned into organs. Conversely, this is explains the palpable joy that overflowed the occupied squares of Puerta del Sol, Tahrir, Gezi or the attraction exerted, despite infernal muds of Nantes countryside, by the land occupation at Notre-Dame-des-Landes. It is the joy that attaches to every commune. Suddenly life ceases being sliced up into connected segments. Sleeping, fighting, eating, taking care of oneself, partying, conspiring, discussing all belong to the same vital movement. Not everything is organized, everything organizes itself. The difference is meaningful. One requires management, the other attention - dispositions that are incompatible in every respect" (p88 To Our Friends)




I'm excited to help document Living Wall's  incredible project on Bufford Highway this upcoming week. Anyone that has time should come out and support and experience some of the events that they're putting on.

That includes: A Lecture Series, a Movie Night and the Block Party!

Come and be an ally to the communities that are facing some of the most violence and intimidation from the white supremacy of USA. 

Jess Snow putting up one of TWO beautiful murals on Bufford Highway last week.

Being around talented mural artists, has also inspired me to attempt my own mural. The Bakery is currently getting itself ready to open in October and is opening its doors on the weekends to people to come and help paint. 

I plan on heading out there next weekend to 1. Document the process of building up a new art space and 2. Starting my first mural based on a sketch that I've been playing with for a long time. Will take time this week to figure out the colors. 

It has usually taken my a long time to figure out colors before, so in the very least it might a black and white line drawing. 



Katy "What is the intention?"

Sequoyah's Music Video. Intetion: Make Something Beautiful. <-- Memory: Anicka reminds me of this in a coffee shop. Beautiful Collaboration.

What are we digging into/ Our desire for connection --> language


#ME asked ME "King, why did YOU wake up in the morning". I respond by repeating the question, which made no sense to ME.

#ME woke up to "Serve"

"Why did I wake up?" and "What is the Intention?" 

"Why do I wake up in the morning" - To build community. The more skills I have, the more useful I am. Freedom. Friendship. 

"'Friend' and 'Free' in English come and "Freund' and 'Frei' in German come from the same Indo-European root, which conveys the idea of a shared pwoer that grows. Being free and having ties was one and the same thing. I am free because I have ties, because I am linked to a reality greater than me". (To Our Friends p 127) 

The more freedom I have, Fuck #Me, Mean

Follow @greetingsme7 to plug into what #ME has to say. #ME KNOW #ME

Pineapple Slumber

I always thought of these two paintings as a pair. I finished both the summer before my Junior year, about a month apart, and they both have the same subject as their inspiration.

Disclaimer: I won't reveal direct inspirations or subject matter of my work.

The painting on the left, Slumber, is more recent, and I have it up in the corner of my living room. It's the motivation for this post, since my friend recently brought it up in conversation, saying that it exactly captures his state going into his last semester of school both as a student and a D1 college athlete. 

The painting on the right, Pineapple Juniors, is named after a song that my friend wrote during Spring semester of sophomore year. I gave him the painting as a present after he left school to pursue music full time. I knew he had the drive and the skill to get far, and in the past year and a half he found a worldwide recognition.

Looking at both of them now, side by side, it makes me think of a wave. 

The cyclical motion of 2 particles&nbsp;as a wave passes. This diagram does not suggest that one particle moves from the left position to the right position.&nbsp;

The cyclical motion of 2 particles as a wave passes. This diagram does not suggest that one particle moves from the left position to the right position. 

Separately the two paintings (in my current observation) occupy seemingly different positions of a water particle in a wave, one "falling" and the other "rising".  This movement reveals itself differently. Slumber has a burning Red center whereas Pineapple Juniors has only a bit red glow around the bright yellow. Both have a blending of green and blue, only in opposite directions. One form is rounded and soft, while the other is jagged and sharp. However, in thinking of a rising and falling wave when I see the two paintings side by side, I'm reminded that the particle takes a cyclical path. In its rise and its fall on a wave, it's always moving in the same direction. In that sense, both paintings embody the full cycle of the wave. 

If that's true, I wonder if my friend who said the painting captured how he felt as he entered his last semester would agree. I'll try to find out. 

Disclaimer: I never attempt to tell people what the "meaning" or "purpose" of my artwork is. However, I figured I should try writing about things I notice in my work as a way of developing new thoughts. Those thoughts are not the definitive interpretation, and I am always excited to hear other people's perspectives.  If you have any comments or criticism, please comment.